Installation views of "Dialogues with trees' now showing at Howden Park Centre Livingston until 23rd April.
I see my residency at Howden Park Centre as a fantastic opportunity for me to take stock of where my work is now and explore some new possibilities for the future. Looking at the work on the walls gives me a more complete perspective than when it’s dotted around the studio - I can regard it as a body of work rather than as a series of individual pieces. I’m hoping that this will spark a period of experimentation, but I have to trust my subconscious on this as I have no idea right now where it will take me.
Collaboration is a more certain way to stimulate new ideas so I’m delighted that writer and photographer Steve Smart has agreed to work with me over the next few months. I did a fair bit of preparation for the residency earlier this year, principally getting to know Calderwood and learning my way around its variety of landscapes, so it was great to share some of my finds with him on a visit last week and fascinating to see the wood from his perspective. We were also really lucky to have a clear, crisp and frosty day for the visit with gorgeous light.
He will be writing some poems in response to the locations, trees and themes in my work, which he’ll present at the closing event of the Dialogue with trees exhibition – more details here. In the meantime, feast your eyes and your ears on his images and poems on his blog…Tags:
In my latest exhibition I present a collection of drawings which are the end products of my dialogues with trees.
Throughout their often very long lives, trees are engaged in a dialogue with their surroundings, with the ground they grow in, the prevailing weather, the other plants, animals and people that live alongside them. There are physical clues in their forms that provide a record of that dialogue.
Similarly, the process of drawing is one of dialogue – it is a record of the interaction between the artist and the subject, the eye and the tree, the hand, the paper and the mark making tool. As John Berger says, a drawing of a tree is not just a tree, but ‘a tree being looked at’. All my work has intense looking at its heart.
The exhibition preview is on Thursday 3rd November, then is open to the public from Friday 4th to Sunday 23rd April 2017. More details here »
Images from the Tree Stories exhibition at The Art House, Sheffield, 24th October - 6th November 2015
This South Yorkshire Biodiversity Research Group (SYBRG) community project was led by Christine Handley and supported by Professor Ian D. Rotherham (Sheffield Hallam University). Funded by a grant from the Arts Council, it set out to record marked and worked trees and enabled SYBRG to work with two artists at community events. The collected Tree Stories were used as inspiration to create new drawings, poems and prints which were displayed in an Art Exhibition at the Art House in Sheffield.
'The Tree Stories project takes a closer look at the mysterious marks, objects and tree ‘graffiti’ that appear on trees. The importance of these markings extends from prehistoric times and this ancient form of communication has survived to the present day with people still using trees to record messages and leave objects embedded in them. These trees with their markings can be found in surprising places, from inner city Victorian parks and gardens to great parkland landscapes in the British countryside. They may contain evocative stories and pictures distorted by time or bold deeply incised designs marking territory, sending messages across the years. Others become covered with small objects, coins, left year after year perhaps as offerings with echoes from a dimly remembered past. The project recorded some of these and inspired the works by Tansy Lee Moir and Sally Goldsmith.' From the Tree Storues booklet accompanying the exhibition.
Photographs of the opening event »
More information about SYBRG »
Professor Ian D. Rotherham's blog »
More about my work on Tree Stories »
Opening tonight at the Newave Gallery, Aberdeen.
I'll be in the gallery to talk to visitors Fridays, Saturdays and Sundays during the run of the show and, when it's quiet, reflecting on the work so far and where to take it next...
Well this is a first for me – I have work currently on show in three different parts of the country...
Time around trees is showing at Edinburgh’s St Margaret’s House. I have my studio on the top floor of this wonderfully creative, yet admittedly ugly building and I’ll be taking over Gallery 2 between 6th and 22nd March to show a selection of my work and that of friends Eoin Cox and Catherine Lilley. Don’t be put off by its exterior though - if you are in the Edinburgh area it’s well worth visiting its three galleries, the busy workshop spaces and creative businesses. There are also regular Open Studio events if you want to see what goes on behind all those doors.
The Harley Gallery Open Exhibition is a biennial open submission exhibition in the beautifully refurbished Harley Gallery on the Welbeck Estate, Nottinghamshire. It’s the second time my work has been selected for the show and it was great to be able to attend the opening this year, which coincided with a trip south to work on the Tree Stories project. The standard of works was very high and I was pleased to see that the judges had chosen quite a few drawings, my favourite being Barbara Clayton’s Flow II. You can see the prize-winners here and the show runs until 12th April.
The farm shop is also pretty impressive, with the best cheese and onion pasties a hungry vegetarian artist could wish for.
This is one of three specially created drawings for React-Reflect-Respond, showing now at Perth Museum and Art Gallery, which accompanies a touring exhibition celebrating the work of Tim Stead, in particular his sculpture.
All of my work relates to the themes of trees, woodland, natural forms and the dialogue between man and nature, exploring the vitality and complexity of tree forms made in response to their environment. The new works for this exhibition are specifically inspired by Tim Stead’s love for, and celebration of, the wayward nature of wood. I fell in love with his furniture in Cafe Gandolfi when I first came to Scotland in the mid 1990s, in particular the way he combined powerful design with great sensitivity towards the natural beauty of the wood.
Tim Stead said that “a man can make an input which reveals nature in an altered beauty”; my ‘input’ as a visual artist consists of searching out the striking and sculptural aspects of living trees and creating images which try to capture the sense of movement in their static forms.
React-Reflect-Respond continues at Perth Museum and Art Gallery until 6th May.
For my latest exhibition I will be joined by artists Eoin Cox and Catherine Lilley, who also share my passion for woodlands. The show will feature drawings, paintings, carvings and prints which examine woodland at different scales, from the powerful presence of a veteran tree, to the intimate surfaces of trees and the plants and organisms which inhabit them. All the works are made as a direct response to an aspect of woodland; the dynamic curve of a twisted trunk, the texture and structure of a sheet of bark, the delicate detail in a damp tangle of lichen. Together, they invite us to look with fresh eyes at the trees and woodlands around us.
More information on the venue and opening times here »
'Dalkeith burred oak 5'
Two of my drawings have been selected for the annual Society of Scottish Artists exhibition, to be held at the Royal Scottish Academy in Edinburgh. This work, along with 'Dalkeith reaching oak' will be on display in this impressive building on Princes Street from the 5th - 20th December. Artists across Scotland submitted an exciting variety of works which I got a little glimpse of when I was volunteeering at the hand in last week, and many of the paintings, prints, sculptures, installations and things that defy categorisation will be available for sale during the show. There's also a new section called 'Sit in/Take away' where small affordable works 30 x 30cm can be bought and taken home on the day - what a great idea to encourage art lovers to support makers!
Here are some images from 'Time around trees' which opened yesterday and runs until Saturday 1st November...
Thanks to the wonderful team at the Meffan Gallery for all their support, expertise and of course the cups of tea - it's a fantastic place to exhibit and a friendly and interesting one to visit, well worth a trip if you've never been.
You can also read a beautifully written first review of the show from blogger Steve Smart here »